Index


EXHIBITIONS
ON-GOING CALL
Team Stroboskop


2026
Teresa Kądziela Metalové Micettky  
Natalia Popławska 
Krzyś Bykowski 
Alicja Cybertowicz
Podwieczorek 
What’s next? 

2025
Monika Gabriela Dorniak
FRINGE 2025
Izabela Wowczko  
Kamil Kucharzewski
OPEN CALL
 
2024
How are you living?   
FRINGE 2024
Whispers straight to the belly
Goodnight Moon
Ritual Transmission Agency

2023
KIN - Warsaw
FRINGE Warszawa
Autostrata
The Alternative Exchange
Martyna Miller
KIN - Berlin 
Maryna Tomaszewska

2022
FRINGE Warszawa
Elisabeth Sonneck PSYCHODZIAŁKA
Nina Iżycka
Nour Shantout
Viktor Witkowski
Making Space Residency
Linda Lach

2021
Desktop Archives
Amélie Laurence Fortin
MTSM
Paweł Żukowski + Małgorzata Halber
Kelley O’Brien
Wiktoria Wojciechowska
Paul DD Smith
Baranek
Body Building
Sebastian Winkler

2020
Monika Czyżyk
Agnieszka Mastalerz
Dominik Garstecki
Agata Szymanek
Patryk Różycki
Karolina Sobel
Julia Taszycka
SPRING FLING

2019
Anna Rutkowska
FOREIGN BODIES
Daniel Kotowski
Jul Zabowskx
Léann Herlihy
POWER POSE
Jan Możdżyński

2018
A Hopeful Gesture 
Gabriel Orłowski
Hélène Baril
Dorota Pawiłowska
Olga Dziubak

2017
Kathryn Zazenski
Bean Gilsdorf
Unsolicited Works
The Space Program
Maria Toboła
Ula Niemirska

2016
STRB actions+reactions
Dorota Kozieradzka
Jagoda Dobecka
MONO/Rafał Zajko

PROJECTS
The Zelmot Experiment
Arts of the Working Class
SOUNDS
Art Forms: Bodies, Objects, and Empathy
Creative Time Summit 2018
Warsaw Gallery Weekend
Waiting for Another Coming
Community Crit
SUPERMARKETartfair

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︎ ︎


Alicja Cybertowicz  
@acybertowicz





THE HAND THAT SWINGS THE CRADLE | 27.05-10.06.2026



Vernissage 27.05.2026, 18:00-20:00
Open by appointment

When you hold something very tightly, at some point it will snap. *e tension comes from theoutside, and the material is passive. Deprived of its function, it hangs in limbo. *e hot asphalt alreadyforeshadows some changes.Is there life without ratchet straps?




When I walk on hot asphalt, I don’t think about it. In fact, I never think about it or aboutratchet straps. And yet, asphalt structures cross our paths every day, create them, destroy the old ones,grant us access or deny it. Embedded in the city’s structure, they regulate tra+c, tension, and therelationships between people, architecture, and infrastructure. *is tension does not stem from thematerial’s properties, but from the network of relationships into which it has been inscribed. Asa material, the ratchet strap serves to secure and stabilize, yet it possesses none of these qualities on itsown. Its function exists solely in relation to another object. On its own, it remains a conduit for thetension generated by the system, embedded within unstable networks of transport, supply, andindustry. *e materials I use are nearly invisible, yet it is their presence that sustains the structure ofthe everyday world.*e exhibition “*e Hand that Swings the Cradle” is a personal re-ection on materials andobjects taken out of their industrial and construction contexts. *e materials used in the exhibition—such as asphalt, ratchet strap, metal, and concrete—can be described as materials entangled ina continuous transformation, which organize everyday reality, even though they remain unnoticed byus. I observe the material, how it interacts with its surroundings—how it shrinks, crumbles, andstretches—but also how deeply rooted it is in our collective imagination.







Alicja Cybertowicz (ur. 2002, Sieradz) w swojej praktyce artystycznej skupia się na wnikliwym podejściu do materii pracy i jego kontekstów. Istotne są dla niej detale i małe wycinki rzeczywistości, na bazie których konstruuje szerszą narrację. Głównym medium wypowiedzi jest dla niej obiekt i instalacja artystyczna oraz konstruowanie w jej obszarze własnych materiałów i eksperyment z nimi. W swoich pracach nawiązuje do wątków feministycznych oraz obszaru teorii krytycznej. Dużą inspiracją jest dla niej również architektura i myślenie jej kategoriami.
Sztuką zajmuję się również w kontekście edukatorskim. Współtworzy kolektyw Splotka, który skupia się na wspieraniu rozwoju sztuki w życiu codziennym.

(EG)

Alicja Cybertowicz (born 2002, Sieradz) focuses in her artistic practice on a close examination of the materiality of artworks and their contexts. Details and small fragments of reality are essential to her process, serving as the basis for constructing broader narratives. Her primary mediums are objects and artistic installations, within which she develops her own materials and experiments with them. In her works, she engages with feminist themes and the field of critical theory. She is also strongly inspired by architecture and architectural modes of thinking.
She is also involved in art education. She co-creates the collective Splotka, which focuses on supporting the development of art in everyday life.